Interview: I Don't Like Mondays.

I Don’t Like Mondays. (IDLM.) is a four-member rock band based in Tokyo that was founded in 2012. The band focuses on introducing high energy dance compositions with unforgettable choruses and creates as light feeling that would take away the burdens of everyday life, including the dreaded ‘Mondays’ that are inferred in their name. The band members are YU (vocals), CHOJI (guitar), KENJI (bass guitar), SHUKI (drums). We had the honor of interviewing them on the cusp of the release of their album RUNWAY!

Be sure to check out all the versions of the track “Summer Ghost” which is located throughout the interview below, along with their official website here!

Ken: First of all thank you so much for letting us do this interview, we are huge fans and had originally done a write up about you in our “Music Corner” write up back in October of 2019. We absolutely love what you bring to the Japanese music industry and congratulations on the release of the album RUNWAY!

IDLM: Thank you so much for having us!

K: What made you choose a path in the music industry? Who had the most inspiration on you and led you to choose this path?

YU: The members of the previous band set me on this path.

CHOJI: I was most inspired by Tak Matsumoto from B’z. I chose this path because I had nothing else I was good at.

KENJI: I started playing in a band when I was 14, after being influenced by a senior classmate’s live performance that I saw at my school festival. I think my unfounded confidence has made me what I am today.

SHUKI: I was influenced by my brother, he’s 5 years older than me and started playing drums first. He also has a career as a professional drummer.

K: Which artist would you say is your biggest inspiration? Also are there any international artists that inspire you guys as well?

YU: As a band, we had common inspiration from groups such as The Killers. As for newer artists, we always keep an eye on The Weeknd.

This album is quintessentially “I Don’t Like Mondays.”

K: Can you walk us through the creative process for your latest Album and what themes or messages were you trying to convey with this release?

YU: This album is quintessentially “I Don’t Like Mondays.” Following our concept of making enveloping music, we want to present our band’s story through RUNAWAY.


K: What was creative process for “PAINT” and how did you guys feel when you found out that it was going one of the theme songs for the anime ONE PIECE

YU: I just couldn’t believe it. When it actually aired, I still thought it was fake until I saw “PAINT” on the screen.

I didn’t really think deeply when I was making this song…LOL. I was carefree and having fun making it…

K: On your track “LEMONADE”, how did you come up with the concept? Such as writing the lyrics, creating the composition?

CHOJI: I didn’t really think deeply when I was making this song…LOL. I was carefree and having fun making it, then I happened to realize that the song was finished.

K: The track ”Beautiful Chaos” has a good mixture of English in it. The lyrics are very resonating. How did you come up with the lyrics and composition? Is there a story behind it? Was this as a group or an individual member?

YU: As for lyrics, I got inspired by the climactic part at the end of the track. As for the melody, we wanted a song that would be good at the end of a concert, so we made this type of song.

K: What is it like teaming up with ESME MORI and DPR CREAM? Were you familiar with their works before?

SHUKI: Of course! Two of them were artists I’ve loved for a long time. It was our second time collaborating with ESME MORI since 2020, but it turned out to be a song even better than last time. As for DRP CREAM, we all went to watch them perform when they came to Japan, but we never dreamed we could collaborate with them.


K: What has been the most challenging song to produce so far?

SHUKI: I think “DO YA?” was challenging.

KENJI: It was a genre we weren’t really familiar with, so it took a lot of effort to make it.

As for the bass, we made it in the style of a well-known phrase that seems to exist already. LOL

K: For international fans, how they usually find out about J-pop is through anime. First, do you guys watch anime, and if so what would you say is your favorite?

YU: Recently, it’s “Jujutsu Kaisen” and “HUNTER×HUNTER.” I used to love “Dragon Ball” before, too.

K: Is there a venue that you performed at that you’ll never forget? Also is there a dream venue that you would like to perform at?     

CHOJI: An unforgettable venue was the live house in Shibuya, Tokyo, with a capacity of about 100 people. I used to perform many times before my debut, but at that time, only people I knew came to watch.

SHUKI: I want to perform at Aloha Stadium in the future!

K: Do you have a message for your international fans?

YU: Although we can’t meet that much, we would love to have more opportunities to perform overseas, so please listen to our songs, watch our videos, connect with us through social media, and look forward to the day we can meet!

Ken: Once again, thank you so much for taking time out of your busy schedule and we look forward to your upcoming releases!

IDLM: It was our pleasure!

See a new side of RIKIMARU on first full album ‘CLOWN OR CROWN’! Lead track ‘I am Riki’ music video also out now!

‘CLOWN OR CROWN’ Jacket Cover

World-class dancer and multitalented artist RIKIMARU has released his first full-length album, ‘CLOWN OR CROWN’, along with a music video for its lead track, ‘I am Riki’.

‘I am Riki’ condenses the dark atmosphere that runs throughout the album into one song, and the music video adds elements of suspense and mystery, resulting in a modern fairy tale vibe that is typical of RIKIMARU.

The advance single ‘TALKIN’BOUT’ released on July 27 had the theme of “whispers”, incorporating ears as a motif to represent being unafraid of rumors and hearsay. Now, lead album track ‘I am Riki’ carries a message of not being deceived by your own senses, and the song incorporates eyes as a motif.

The music video for ‘I am Riki’ follows a protagonist who has lost his sight as a result of suffering brain damage in a traffic accident, and who now believes he is a world-famous star named Riki. The video features scenes that are dark and cold, and others that are bright and warm, depicting a story filled with suspense that builds to a shocking climax.

RIKIMARU selected the concept for the album ‘CLOWN OR CROWN’ himself and was involved in the production of both the music and the video, further refining his abilities for artistic expression. 

Throughout the album, RIKIMARU uses hypothetical stories to examine issues in modern society through a humorous lens. “Who am I? Where am I?” These may seem like simple questions, but behind them lie the complexities and contradictions of human beings. Through these philosophical elements, he leaves room for listeners to enjoy the songs while prompting them to think more deeply.

The album songs all follow this pattern, expressing RIKIMARU’s creative style through bold inspiration and philosophical elements that shine a light on the social topics we should all be thinking about.

The album hits levels of perfection you would never expect from a first try, and you can sense RIKIMARU’s determination to move forward as an artist. RIKIMARU will doubtless continue to create music that opens our eyes.

Be sure to check out the streaming link for ‘CLOWN OR CROWN’ here!

THREE1989 reunite with trackmaker SUKISHA on new collab track, ‘Utakata Dilemma feat. SUKISHA’!

Utakata Dilemma feat. SUKISHA Jacket Cover

Three-member rock band THREE1989 – whose three members were each born in 1989 – have released their latest song, ‘Utakata Dilemma feat. SUKISHA’. The group’s name is simply pronounced “Three”.

The song is a long-awaited collaboration between THREE1989 and cowriter SUKISHA. SUKISHA was originally a support member of THREE1989, leading to this special collaboration between two artists who share a strong history together.

The song’s title means “Bubble Dilemma”, and the song is about feelings kept in a bubble, or bottled up inside. It combines a groove-laden track by SUKISHA with the mellow vibe of keyboardist Shimo and DJ Datch, along with the humor-filled vocals of Shohei. The result is a song that could only be made by two artists who share an especially close relationship, both as individual artists and as onetime bandmates. It’s a tropical, exotic dance tune.


Comment from Shohei (vocals)

“The first time I met SUKISHA, I thought he was a musical genius. That was the first ever time I’d had a friend who made me feel ‘jealous’ over music! (Laughs.) Through our live performances, we have spent many great late nights together. I’m so happy that after all these years we have finally had the chance to collaborate! I hope that this song will soundtrack a ‘great late night’ for you as well. Cheers!”

Comment from SUKISHA

“It’s been several years since we first met in Sapporo, spending countless nights drinking together as we traveled and performed music – and now I have been able to create this song together with my close friends! Because I know THREE1989’s sound well, I wanted to bring out a new side of them, so I consciously thought about the arrangement to create a sound that was not typical of their music. The song then changed once the band added their essence, resulting in an interesting song that sounds fresh even to me. I hope you’ll give it a listen.”

Also, following on from THREE1989’s July single ‘Setogiwa Meets Girl’ and August’s ‘Senkou Loop’, this new single finally reveals the identity of the woman on the jacket photo, whose face had been mysteriously obscured until now. The model used in the jacket artwork for all three singles in this series is Asuka Kawatoko, a rising new-generation actress from Japan, and placing the three jackets side by side forms a cool triptych artwork.

From cowriting songs with music producers to releasing music in Dolby Atmos to hosting their own live project titled Mitsudomoe, THREE1989 will continue to take on new challenges in 2023. Don’t miss it.

Be sure to check out the streaming link for ‘Utakata Dilemma’ feat SUKISHA here!

I Don’t Like Mondays. and Korean creator DPR CREAM release collaboration single ‘conversation'!

RUNWAY Jacket Cover

Popular rock band I Don’t Like Mondays. released their new album ‘RUNWAY’ in full today (Wednesday, September 6). The album features five brand new songs.

One particular highlight is ‘conversation’, a collaboration with South Korean creator DPR CREAM. The members of I Don’t Like Mondays. are longtime DPR fans, leading to them finally working together. Combining the signature I Don't Like Mondays. laidback mood with DPR CREAM’s uniquely beautiful sonic tone, the result is a sweet-sounding song. It also marks the first time DPR CREAM has collaborated with an artist from outside Korea.

In addition to a domestic tour that will take in seven cities across Japan in October, I Don’t Like Mondays. will also perform live in Barcelona, Yantai (China), Buenos Aires and other locations around the world under the title 2023 WORLD TOUR.

Meanwhile, DPR, the group to which DPR CREAM belongs, performed in North America, South America, Asia-Pacific, the UK and Europe last year, while frontmen DPR LIVE and DPR IAN also appeared at Coachella 2023. When two such globally active artists combine, there’s no doubt the chemical reaction will be special.

Also among the 10 songs that have been digitally released is ‘Strawberry Night’, a collaboration with ESME MORI, who arranged ‘NIGHT DANCER’ by imase – a recent global TikTok hit. With roots in the sound of the 1980s and transcending the boundaries between Japanese and Western music, the band’s music is unmissable.

To celebrate the album release, a special studio live performance video by the band is also out now. I Don’t Like Mondays. wanted fans to be able to enjoy their new songs immediately, not only through audio recordings but also with a live performance that fans can see, hear and experience. Live video footage of all of the new songs will eventually be released.

Check out RUNWAY here, along with the studio liver performance of the track ‘Summer Ghost’ below!

Gray's Ongaku Go For August 2023

With Summer officially here and turning up the heat, it's that time of the month for August’s Ongaku Go! We at OTY would like our readers to know what has been filling our ears for the past month. Each track is available across all digital music streaming platforms, with Apple Music featured on this site, along with our Spotify playlist here!


“Shock” by Jang Keun Suk

Living up to its name, “Shock” is a recent addition to my library, but this song surprised me when I heard it. This is a nice little rock number by Suk and, as a fan, it was nice to hear a song like this coming from him as it shows he knows how to mix things up. If you are a fan of his, then this release is a can’t-miss.

Check out “Shock” here and in the video below!


“Summer Time” (feat. Kenya) by KAHOH

Well, I stumbled across this song one day vacuuming the rug in my house, and instantly fell in love with it. KAHOH is an artist that I’ve only heard a little bit of, but I keep finding tracks by her that I really enjoy, so I need to listen to more of her music. Still, this song slaps with a great beat and Kenya sounds great with KAHOH.

Check out “Summer Time” here and in the video below!


“umi tsuki” (feat. iri) by SIRUP

I’m so glad I finally added SIRUP to my favorite artist list, as I had gotten tired of missing out on his music. I would rarely go back and listen to what I had missed, but I got to check this song out the moment it hit Apple Music and I’ve been listening to it ever since. The melody in this song is so nice and works great with SIRUP and iri’s vocal performances.

Check out “umi tsuki” here and in the video below!


“My Pleasure” by lol

This is the latest release from lol and I was so glad to hear something from them. 2023 has been a quiet year for lol, with their last release being all the way back in January. So I was excited to dive in to hear their newest song, which I’ve got to say is pretty catchy. They don’t really do anything with this song to shake things up but, as a long-time fan, it made me happy.

Check out “My Pleasure” here and in the video below!


“Higher” by LIL LEAGUE from EXILE TRIBE

EXILE TRIBE is ever expanding and groups are going to have to start trying to differentiate themselves to stand out. LIL LEAGUE so far has done that by leaning on their vocal performances. I liked the whole release they did, but “Higher” was my favorite song on the single with its simple and catchy tune. I keep being drawn to this song.

Check out “Higher” here and in the video below!